In Real Life
Siempre hay un nuevo amanecer
Conflictual Topography II _ Conversation with Heidi Ballet
Freedom in Quarantine
On the Epistemic Condition
Let us not consent to a single narrative and simple solution. While we need to keep our hands clean for the time being, may we, in infe...
The Theology of Evangelista
And now abideth faith, hope, charity, these three; but the greatest of these is charity.—1 Corinthians 13:13 On the widely claimed FX ser...
Film Review: Not Solidarity but Entanglement: Some Thoughts on Un cuento chino
The message seems to be this, simple but easy to forget: we need each other. One cannot take too seriously a film called Un cuento chino....
Against Academic Oligarchy
Knowledge has always been produced collectively, not through the singular miracle of some celebrity genius. If we still hold some revere...
Film Review: Toxic Masculinity with Chinese Characteristics
Watching Wolf Warrior II has to be a painful experience for anyone who has any contempt for human stupidity and its shameless display. ...
How to Unhear and Unsee: reflections on Ren Hang’s photography
Ren Hang decided to end his life, just at its blossoming, this February. He was a renowned photographer, with a remarkable style of his ow...
Jin Haritaworn, Queer Lovers and Hateful Others: Regenerating Violent Times and Places, Pluto Press, 2015, 237 pp Time passes fast, espec...